home *** CD-ROM | disk | FTP | other *** search
- Act 2 Scene 1
-
- In Cyprus, Montano and two gentlemen are
- waiting for the arrival of Othello. There has been a
- dreadful storm at sea; many of the ships belonging
- to the Turkish enemy fleet have been wrecked, but
- CassioÆs ship has landed safely. Cassio has no
- sooner given the news of OthelloÆs marriage when
- Desdemona, accompanied by Iago and his wife,
- also arrives in Cyprus. There is a period of tension
- until OthelloÆs ship comes to land; Desdemona
- tries not to show her anxiety, joking with Iago to
- distract her mind. Eventually, however, the Moor
- and his wife are re-united, and Othello describes
- his great joy. The scene ends as Iago gives further
- instructions to Roderigo, and at last confides his
- plans for the audience to hear ù although the
- details are still unclear.
- 2 high-wrought flood: tempestuous sea.
- 4 Descry: Detect.
- 5 Methinks: It seems to me.
- 6 fuller: more violent.
- 7 ruffianed: raged.
- 8 ribs of oak: wooden sides of a ship.
- mountains melt: mountainous waves cascade.
- 9 hold the mortise: hold together. A
- ômortiseö is a socket or joint.
- What . . . this: What will come of this?
- 10 segregation: scattering.
- 12 chidden billow: waves which have been
- thrown back by the land.
- pelt: throw water on.
- 13 wind-shaked surge: wind-blown sea.
- mane: comparing the sea to a wild horse.
- 14 burning Bear: the constellation known as
- the Little Bear, two of whose brightest stars are
- called the ôGuardiansö or guards.
- 15 Pole: The pole star, much used in
- navigation.
- 16 like molestation: such disturbance.
- 17 enchafaged flood: angry sea.
- If that: If.
- 18 ensheltered and embayed: sheltered in a
- bay.
- 19 bear it out: ride out the storm.
- 21 banged: beaten.
- 22 designment halts: their plans have been
- stopped.
- 23 wrack: shipwreck.
- sufferance: damage.
- 24 On: Of.
- 26 put in: anchored.
- 29 at sea: is on the seas (i.e. on his way to
- Cyprus).
- 30 in full commission: in complete charge.
- 31 a worthy governor: this is high praise for
- Othello, since it comes from the man whose
- position he is taking.
- 33 Touching: With regard to.
- sadly: worried.
- 36 served him: served under him.
- 37 full: excellent.
- 39 throw out our eyes: look out.
- 40 Even . . . regard: Until the sea and blue of
- the sky become indistinct to us.
- 43 arrivance: arrivals.
- 45 so approve: speak so well.
- 48 Is . . . shipped: Does he have a good ship?
- 49 barque: vessel.
- stoutly timbered: well built (of wood).
- 50 approved allowance: tested experience.
- 51 Therefore . . . cure: Cassio seems to be
- saying that he has never worried too much about
- OthelloÆs safety, and he is now hopeful that all will
- be well.
- 52sd within: offstage.
- 54 brow: edge.
- 55 ranks: crowds.
- 56 I hope it is the governor.
- 57 discharge . . . courtesy: fire a friendly
- shot.
- 59 give us truth: find out for certain.
- 61 wived: married.
- 62 fortunately: happily.
- achieved: won.
- 63 paragons: beats.
- fame: rumour.
- 64 quirks: fantasies.
- blazoning: describing; the word is particularly
- used in heraldry.
- 65 essential . . . creation: in the perfect
- beauty of her created being.
- 66 tire the engineer: exhaust the designer (he
- has used up all his skill in perfecting Desdemona).
- 70 guttered: splintered.
- congregated sands: sands heaped together (i.e.
- sandbanks).
- 71 ensteeped: submerged.
- guiltless: unwary.
- keel: ship.
- 72 As having: As though they had.
- sense: appreciation.
- omit: forget.
- 73 mortal: deadly.
- 74 divine Desdemona: This speech, building
- to a climax on the last line here, introduces
- Desdemona to Cyprus, heralding her arrival with a
- fanfare of verse just as the trumpet (at line 180)
- gives notice of OthelloÆs arrival.
- 77 footing: landing.
- anticipates our thoughts: is sooner than we had
- expected.
- 78 A sennightÆs speed: A week (seven
- nights) early; Desdemona was to have been
- brought to Cyprus after Othello sailed from
- Venice.
- Jove: king of the gods of Roman mythology.
- 80 bless . . . ship: the arrival of Othello
- would confer a blessing on the harbour.
- tall: handsome; Othello is sailing in the biggest of
- the three ships.
- 82 extincted: extinguished.
- 84 riches: i.e. Desdemona.
- 85 have your knees: bow to her ù but there
- is the suggestion also of kneeling in prayer to the
- ôdivine Desdemonaö.
- 88 Enwheel: Encircle.
- 89 tidings: news.
- 90 aught: anything.
- 93 contention: battle.
- 96 hark: Cassio calls attention to the shout
- ôwithinö.
- 97 their greeting: the shots are being fired as
- a salvo, or friendly salute to the island (represented
- by its ôcitadelö).
- 98 likewise: the salute is friendly, so the ship
- must also be a friend.
- See for the news: Go to see what has happened.
- 100 gall: annoy.
- 101 extend my manners: show my respects (to
- Emilia).
- ÆTis my breeding: I was brought up this way.
- 103 so much . . . me: if she gave you her lips
- (in kissing) as much as she lets me hear her tongue
- (in talking).
- 106 has no speech: does not talk much.
- 108 still: always.
- 109 before your ladyship: in your ladyshipÆs
- presence.
- grant: admit.
- 110 She keeps her tongue to herself for a time,
- and only nags in her thoughts.
- 112 The quick drop into prose assures a relief
- of the audienceÆs tension as it waits for Othello.
- 112 pictures: i.e. silent, unspeaking images.
- out of door: in public.
- 113 Bells: i.e. noisy, tongued instruments.
- parlours: at home.
- 114 Saints in your injuries: sanctimonious
- when giving offence.
- being offended: when you are offended.
- 115 Players: actors, deceivers.
- housewifery: housekeeping.
- 116 fie upon thee: shame on you.
- 118 rise to play: i.e. at being good
- housekeepers.
- to work: i.e. as prostitutes.
- 121 put me toÆt: give me the task.
- 123 essay: make an attempt.
- one: someone; DesdemonaÆs thoughts are not with
- IagoÆs foolery.
- 125 beguile: disguise.
- 126 The thing I am: i.e. worried.
- 129 pate: head.
- as . . . frieze: i.e. a slow, sticky, process; lime was
- used to trap birds, and if it got on to fabric
- (ôfriezeö = a coarse woollen cloth) it was difficult
- to pull it off.
- 130 my muse: inspiration; the classical Muses
- were the goddesses responsible for artistic
- creation.
- labours: is struggling with it.
- 131 is delivered: has given birth.
- 134 black: brunette (as opposed to ôfairö =
- blonde).
- witty: clever.
- 136 white: Iago has a pun on ôwightö (= man).
- 139 folly: wantonness.
- 144 thereunto: as well.
- 148 authority of her merit: whose virtue
- deserves so much.
- 149 put on the vouch: compel the approval.
- 151 The couplets emphasize the triviality of
- IagoÆs thoughts.
- 151 ever: always.
- fair: both ôbeautifulö and ôvirtuousö.
- 152 Had tongue at will: Could speak easily.
- 153 gay: garish.
- 154 Did not do as she wished, and yet knew
- she had power.
- 155 her . . . nigh: when revenge was possible.
- 156 Accepted the injury and refused to be
- angry.
- 157 frail: Shakespeare uses this word
- frequently to refer to womanÆs sexual weakness;
- its presence suggests that ôthe codÆs headö and
- ôthe salmonÆs tailö are intended with sexual
- overtones.
- 158 cod: a sea-fish; also a slang word for
- ôpenisö.
- salmonÆs tail: a fish found in some British rivers;
- ôtailö is also a term for the sexual organs.
- 161 wight: person.
- 163 chronicle small beer: keep the household
- accounts.
- 164 impotent: feeble.
- 167 liberal: licentious.
- 168 home: plainly.
- relish: appreciate.
- 170 takes her by the palm: holds her hand.
- well said: well done.
- 171 web: spiderÆs web.
- 173 gyve: fetter.
- courtship: courtly behaviour.
- 174 strip you out of: lose your job for you.
- 175 kissed . . . fingers: an Italian courtly
- gesture.
- 177 apt: ready.
- play the sir in: act the courtly gentleman.
- 179 Would: I wish.
- clyster-pipes: tubes for injecting an enema.
- 181 his trumpet: each commander had his own
- trumpet-call; Iago recognizes OthelloÆs signal.
- 183 The greetings of Othello and Desdemona
- initiate one of the great moments in the play; for a
- few lines all the other characters, and the business
- of war, are forgotten as the two lovers share in the
- bliss of their reunion.
- 188 labouring barque: struggling ship.
- 189 Olympus-high: As high as Mount
- Olympus, home of the gods in classical mythology.
- duck: dive down.
- 190 it were now to die: I were to die now.
- 192 content: happiness.
- absolute: perfect.
- 194 Succeeds: Follows.
- unknown fate: the life to come.
- 196 as . . . grow: as long as our lives last.
- Amen: Othello responds to DesdemonaÆs prayer.
- 198 stops me here: chokes me.
- 199 this: i.e. the kiss.
- be: may be.
- 200 Iago picks up and continues OthelloÆs
- musical imagery.
- 201 set down the pegs: loosen the screws
- (thereby slackening the strings of a musical
- instrument like the lute).
- 204 my old acquaintance: the people I used to
- know; after the intense moment of joy, Othello
- turns to the everyday world of common good
- manners, recognizing the existence of other people
- again.
- 205 Honey: A term of affection for
- Desdemona.
- well desired: well received.
- 207 I prattle . . . fashion: I shouldnÆt be talking
- like this.
- 207 I dote . . . comforts: Othello has so much
- good news to impart that he cannot speak sensibly.
- 209 disembark my coffers: unload my luggage.
- 210 master: i.e. of the ship.
- 212 challenge: demand.
- 215 presently: immediately.
- 217 is native to them: they are born with.
- 218 list: listen.
- watches: keeps the night watch.
- 219 court of guard: guard-room.
- 220 directly: definitely.
- 222 Lay . . . thus: Put your finger on your lips:
- i.e. keep quiet.
- thy soul: yourself.
- 223 Mark me: Remember.
- 224 but: only.
- 224 love him still: continue to love him.
- 225 prating: boasting.
- discreet heart: commonsense.
- 226 fed: satisfied.
- 227 the devil: OthelloÆs blackness identifies
- him (for Iago) as the devil.
- the blood: passion.
- 228 act of sport: sexual intercourse.
- 228 to inflame it: to arouse desire.
- 229 give . . . appetite: further stimulation to
- desire that is already satisfied.
- 230 favour: appearance.
- sympathy in years: agreement in age.
- manners: culture.
- 232 required conveniences: necessary
- qualifications.
- 233 heave the gorge: feel sick.
- disrelish: lose her taste for.
- 234 Very nature: Her own nature.
- 236 pregnant . . . position: obvious and natural
- assumption.
- 237 who stands . . . fortune: who is so well
- placed to be next to receive this fortune.
- 238 voluble: smooth-tongued.
- 239 no further conscionable: with no more
- conscience.
- 239 mere form . . . seeming: only the outward
- appearance of good manners and sensitivity.
- 240 compass of: achievment of.
- 241 salt: lecherous.
- loose affection: immoral desires.
- 242 slipper: slippery.
- 242 finder out of occasions: one who will take
- every opportunity.
- 243 stamp and counterfeit advantages: forge
- false advantage (as though he were forging coins).
- 247 green: young, unripe.
- look after: want.
- 248 found: recognized his nature and
- intentions.
- 250 blessed condition: innocence.
- 251 figÆs end: rubbish; the exclamation would
- be accompanied with an obscene gesture.
- 251 The wine . . . grapes: i.e. sheÆs only
- human.
- 253 pudding: nonsense.
- 254 paddle with: caress.
- 257 index . . . prologue: like the index to a
- book, it shows what is to come, but the
- introduction to the book cannot immediately be
- understood.
- 259 near: close.
- 261 mutualities: intimacies.
- marshal: lead.
- hard at hand: close behind.
- 262 incorporate: bodily.
- 263 be . . . me: do as I shall tell you.
- 264 Watch: Keep guard (as Cassio will be
- doing).
- 264 For . . . you: IÆll give you your
- instructions.
- 267 tainting: questioning.
- 269 minister: provide.
- 271 sudden: quick to act.
- in choler: when heÆs angry.
- haply: perhaps.
- 272 even out of that: for that reason.
- 274 qualification: pacifying.
- 275 displanting: dismissal.
- 277 prefer: promote.
- 278 profitably: usefully.
- 279 prosperity: success.
- 282 warrant: promise.
- by and by: shortly.
- 283 his necessaries: OthelloÆs luggage.
- 285, 286, 287, 288, 289, 290, 291, 292, 293, 294,
- 295, 296, 297, 298, 299, 300, 301, 302, 303, 304,
- 305, 306, 307, 308, 309, 310, 311 IagoÆs
- soliloquy, as usual, is in verse; he is thinking
- aloud, and the audience is able to over-hear his
- thoughts.
- 286 apt and of great credit: likely, and could
- well be believed.
- 287 howbeÆt: although; even Iago must
- confess OthelloÆs nobility.
- 290 dear: not only ôlovingö and ôbelovedö, but
- also ôcostlyö.
- 291 Not . . . lust: not simply for lust.
- peradventure: perhaps.
- 292 accountant: accountable.
- 293 diet: feed.
- 294 lusty: lustful.
- 295 leaped into my seat: i.e. made love to
- Emilia.
- 296 inwards: guts.
- 298 evened: get even.
- 302 trash: rubbish.
- 303 stand . . . on: will do what I want.
- 304 on the hip: at my mercy; the hip, or
- haunch, of the deer is the part usually grabbed by
- the hunting hounds.
- 305 Abuse: Slander.
- the rank garb: a foul manner ù by accusing him of
- adultery.
- 306 with my nightcap: i.e. in bed with Emilia.
- 308 egregiously: extraordinarily.
- 309 practising upon: plotting against.
- 310 Even to madness: To drive him mad.
- ÆTis here: i.e. the plot is in IagoÆs mind already.
-